Reviews of Living in Hawaii Style

Sun, 24 Jun 2007 18:36:51 -0700

Review by Gerald Van Waes, radio producer and webmaster for radio show “PVHF”(Psyche Van Het Folk), Radio Centraal, Antwerp, Belgium
November 2005

Alicia started to live and breathe the essences of the island of Hawaii with its own special ‘heart’ energy. Like she expressed the hippie life book and album, this album expresses original and historic Hawaiian songs, accompanied by a slack key guitar with the help of Lei’ohu Ryder, singer and spiritualist with roots in Hawaiian culture, Sam Ahia, vocalist and jazz guitarist and Rick Asher Keefer, with some ukulele and percussion and vocals. Different from the previous album that seemed to have been an expression of immediate life energy, here a few song experiences have a kind of nostalgic souljazz in them even as if something is lost but still remembered. Elsewhere I feel sadness as if being an ode to the original Hawaiian joyful soul, while the historical songs are the immediate reference, while guitar instrumentals like “Sassy / Manuela Boy / Livin’ On Easy” are performed with a blues feeling. Other tracks, like the titletrack have all the luck and sunshine of Hawaii most brightly in them.

Review by Chris Roth
Editor, Talking Leaves Magazine
Spring, 2002

Our friend Alicia Bay Laurel (author and illustrator of the 1971 bestselling book
Living On The Earth) has put together an album of original and historic
Hawai’ian songs, sung with slack key guitar. After more than twenty-five years
living in Hawai’i, Alicia has obviously absorbed much of the spirit of her adopted
home—a spirit she conveys with great respect and also an effervescent joy. Most
of this is lovely music about what’s good in life on an island where native culture
and nature are still respected and honored by such “adopted natives” as Alicia.
Just as important, several songs point to the threats and damage to Hawai’i’s
people and land done by less-respectful outsiders, and a call, gently and
beautifully, for a return to balance and sovereignty.

Review by Stanton Swihart
for www.allmusic.com
September 23, 2001

It took Alicia Bay Laurel nearly half of a lifetime and years of concerted study
in a variety of styles before completing her debut album, but, oh, was it worth
the wait. A gorgeous amalgam of John Fahey-style fingerpicking, modal passages,
and lovingly sacred sentiments, Music from Living on the Earth was a sparkling
stream of music pure from the heart. It took but mere months for Laurel to back
up those sentiments with a second album that is every bit as compelling and
beautifully realized, although it is considerably different in both tone and
purpose. Living in Hawai’i Style is instead a collection of Hawaiian songs – some traditional, some native and, indeed, some from the pen of Laurel herself,
a longtime resident of the 50th state. Although a few have (most notably jazz
guitarist George Benson), ha’oles (or “gringos”) have not traditionally been
accepted with ease into the wider Hawaiian musical community. But Laurel proves
herself acutely in-tuned to the nuances, subtleties, and details of traditional
island styles, and the gorgeous open-key melodies or her original tunes are
tailor-made to Hawaii’s deep legacy of slack-key guitar. Without debating the
notion of authenticity, it can be said, at the very least, that Living is a
supremely humble and giving album, both towards the listener and towards the
Hawaiian musical history that it upholds and extends. That it goes well beyond
is the album’s most endearing grace. Far from playing shallow and dilettantish,
Living is, in fact, a paradisiacal love letter to Hawaii’s musical lore and to
the place the artist calls home, and it could not honor the tradition any more
than it does. Laurel studied Hawaiian musical culture for more than two decades
before even attempting to put her learning on tape (although some of the
original songs date to the mid 1970s), and the album benefits greatly from that
level of sensitivity and deference, as it incorporates nearly every style
endemic to the islands, from ancient chant and drinking songs to a birthday
tune, wedding songs, wonderfully breezy hulas, environmental anthems and songs
of welcome. With ample help from the widely respected Hawaiian jazz-guitar great
Sam Ahia and ravishing vocal support from spiritualist, composer, and educator
Lei’ohu Ryder, Living in Hawai’i Style is every bit the blissful oasis that
Hawaii often seems itself.

Review on Amazon.com by Pam Hanna
November 21, 2001

O Hawai’i!

In her first CD, Alicia Bay Laurel wrote and performed all of the songs, and it was a wonderful musical tour de force. On “Living in Hawaii Style,” other performers, writers and musicians make an appearance to excellent advantage. Alicia’s liner notes are a virtual musical primer on Hawaii – its musical history, genres, culture, geography, flora and fauna, as well as some magical personal history on how she came to know these people and places and enter into their music and their lives.

Traditional Hawaiian songs are included here (Nanakuli, from the 1890’s) as well as steel and nylon string guitars in standard and open tunings (known as Ki ho’alu or slack key) and “hapa ha’ole” (meaning half-foreign, one of a genre of swing tunes with tropical lyrics) as in “Moonlight and Shadows” with the smooth-voiced Sam Ahia.

Koa ukeleles, an ipu (gourd drum), pu’ili (bamboo rattles), pu (large conch shell used as a wind instrument), ti leaf rattles, slack key, steel and nylon string guitars, and ki ho’alu (open-tuned guitar, Hawai’ian style) are heard. Several songs, such as “Kawailehua’a’alakahonua” and “Holua, Kapalaoa and Paliku,” are sung in Hawaiian. The second of these is introduced with an original chant in the ancient style created and sung by Lei’ohu Ryder. The liner notes define Hawaiian words such as “Waikaloa” – “fresh water that is endless,” “A’a” a sharp, jagged lava and “Laupaho’eho’e” a smooth, ropy lava.”

One of my favorites is written and performed by Alicia alone (harmonizing with herself), “Ukulele Hula” – a lilting sing-along kind of song that embodies the feeling and spirit of Hawai’i. Has the feel of a years-old traditional song. “In Paradise, everybody is a lover.” Balmy, swaying breezy, rolling, it’s a “breezy afternoon and a sunset on the ocean.”

But the song that tugs most at the heart, for me, is “Kanikau, O Hawai’i!”, written by Ginni Clemmons and sung by Lei’ahu Ryder and Alicia. “Kanikau” means “a mournful cry.”

“Oh Hawai’i, you’ve lost your innocence/ How can we get it back?/ Have we claimed you? Have we shamed you?/Have we spoiled the prize we’ve won?/ By taking you against your will,/Like all greedy lovers do./ Oh Hawai’i… we’re sorry/ Those who care are crying tears of shame./ ….Teach us the ways of nature,/ So that peace can end this war. Oh Hawai’i.”/
Lilting, haunting and lovely, the melody opens the heart to Hawai’I as she is, as she was.

This CD is pure pleasure. Just listen!

Review on Aloha Plenty Hawaii
by Doug and Sandy McMaster
September 28, 2001

“Any woman who has a great deal to offer the world is in trouble.” ~ Hazel Scott ~

In 1970, she wrote Living On Earth which hit the bestseller
list in 1971. She published 8 more books during the 70’s
and moved to Maui. Last year she released a CD entitled
“Music From Living On the Earth” including 16 songs she had
written at the time of the first publication.
Living on Maui and visiting the other islands, Alicia was
influenced by the musical stylings of Hawaii. She learned
traditional and contemporary songs as well as writing her
own. Spring of 2001 took her to the Big Island and into
the recording studio once again to create “Living in Hawaii
Style”. On this recording she’s joined by the Hawaiian
jazz guitarist Sam Ahia, spiritualist Lei’ohu Ryder, Rick
Asher Keefer. The recording includes several of her
originals as well as contemporary and jazz favorites.
It includes slack and standard guitar, ukulele, chants, ipu
(gourd), ukulele, and more.

It’s good to hear more women playing slack key… hence the
quote I included in this issue. Having spent time in Hana
on Maui we understand Alicia’s sentiments. A magical place
with very special people. Her folk/pop renditions are nice
and catchy. Alicia will be touring in support of her CD so
watch for her coming your way… she has some great stories
from her time on Maui. We met Alicia and her friend Joe at
sunset by the bay.* Hope to see you there again soon Alicia!
And hope life is good for you on Big Island.

*Doug and Sandy are often found performing slack key guitar and ukulele duets at sunset at one of the beachparks in Hanalei, Kaua’i. Their music is beautiful! Their CDs are available at their web site (address above), which is a wonderful resource on ki hoalu (slack key guitar). ~ABL

Review in Newsgroups: alt.music.hawaiian
A new CD by Alicia Bay Laurel… some slack key, some jazz, some vintage
Hawaiian… beautiful songs honoring her teacher and places on Maui that
touched her heart. And a happy birthday, Hawaiian style, song too!

Letters

From Judy Barrett, former music industry professional in Honolulu, August 1, 2002:

I asked Led [slack key legend Ledward Ka’apana] to keep an eye out for you at the Hilo festival [the Big Island Slack Key Guitar Festival]. “She one haole girl? Kinda hippie?” Yeah, that sounds about right, I said. Turned out he’d already met you at one of his workshops in Hilo a few months ago. Said you played some of your compositions for him. I asked, “So?” He said you were pretty good. Now, I know that sounds pretty dang low key, but, from him, it truly is high praise. Enjoy it!

Sounds like you had a great time. I love that little festival!

ALOHA!
Judy

September 4, 2001

Mahalo Alicia,

We just reviewed your charming release “Living In Hawai’i Style”. It is
refreshing to know there are still some artists performing and recording in
the islands who appreciate our magnificent musical roots.

You original compositions offer a compelling story of what is happening to
beloved Hawai’i. Usually, most artists only record their complaints, not
solutions. You are the difference. Even though you are not native to the
islands, you have the feel of the land and people.

When I was involved with the original “Hawai’i Calls” radio program, and
the newer version I always looked forward the most to the more traditional
and hapa-haole numbers.

This is a most enjoyable musical experience.

Aloha nui loa,
J Hal Hodgson
Executive Producer
Ports of Paradise

September 12, 2001

Aloha Alicia~

I am delighted to have shared in your CD project. The songs are clearly from your heart. You are a gift to our islands. The makana who has been called to service the vision of aloha and maluhia for the world.

Congratulations on such a fine job. May you continue to heal the people in your work.

Malama pono~

Lei’ohu Ryder

“What a nice recording. You did a very good job.”

January 21, 2002

Auntie Nona Beamer
Composer/Musician/Educator
Mother of Keola and Kapono Beamer
And Hawaiian Music Legend in Her Own Right

Tags: music hawaii hawaiianmusic slackkeyguitar hula leiohuryder livinginhawaiistyle nonabeamer samahia

living in hawai'i style

Thu, 12 Jan 2006 12:03:40 -0800

Alicia plays slack key guitar and sings sixteen Hawai’ian songs and medleys, eight of which are original. Two renowned Hawaiian musicians, chanter/percussionist Lei’ohu Ryder and jazz guitarist/vocalist Sam Ahia, join her. The CD opens with the first and only Hawai’ian birthday song (an original), followed by environmental anthems, turn-of-the-century instrumentals, Waikiki lounge tunes from the 1930’s, hulas in three part harmony, homages to Hawai’ian grandmother musicians, tropical feel-good swing tunes, and odes to landscapes of overwhelming beauty. The ten-panel full-color booklet, written, illustrated and designed by Alicia, includes the complete lyrics, translations of all the Hawai’ian words, and little stories about each song that include notes on Hawai’ian history, biology, geology, and social customs.

Alicia Bay Laurel first arrived on Maui in 1969, already an accomplished open-tuned guitar player, having learned from pioneering guitar legend John Fahey, a family member, during her ‘teens. She immediately fell in love with Hawai’ian style open tuning—slack key. In 1974, she moved to Hana, Maui, where she learned to sing in Hawai’ian from Clara Kalalau Tolentino, the town kumu hula (and matriarch of a musical dynasty that includes recording artist G-girl Keli’iho’omalu), and slack key guitar from Clara’s son-in-law, Jerome Smith. Later, she studied slack key with Uncle Sol Kawaihoa, and hapa-ha’ole guitar arrangements from jazz guitar great, Sam Ahia. In January, 2000, after 16 years of performing extensively on Maui, Alicia recorded her first, all-original, solo vocal and guitar CD, Music From Living On The Earth, in the Fahey-influenced tunings of her youth. The following year she recorded a CD of original and historic Hawai’ian songs on slack key guitar with vocals, Living In Hawai’i Style, with guest artists Sam Ahia and Lei’ohu Ryder.

Lei’ohu Ryder: A spiritualist, composer, performer, and educator with roots in Hawai’ian culture, Lei’ohu raises her superb voice in song and Hawai’ian chants, which she can compose on the spot. (There’s one on the CD.) Her psychic abilities yielded the discovery of the Kukuipuka heiau (temple ruins), which she and others are restoring. Her latest CD, Lady of the Mountain, was on the Top Ten on Hawai’ian radio stations. Her web site.

Sam Ahia: Widely respected throughout the state of Hawai’i as a great jazz guitarist/vocalist, Sam has appeared on dozens of recordings, including his own, the all-original Ukumehame, and Hawai’ian Time, a collection of Hawai’ian favorites.

Listen and/or buy the CD at CDBaby.

Buy the CD directly from Alicia, so you can have it inscribed to you (or whoever).

Reviews of Living In Hawai’i Style.

Lyrics to Living In Hawai’i Style

Tags: music hawaii aliciabaylaurel hawaiianmusic slackkeyguitar hula leiohuryder livinginhawaiistyle samahia

alicia bay laurel - living in hawai'i style

Reviews of Living in Hawaii Style

living in hawai'i style